8 Best Telephoto Lenses (October 2026): Expert Reviews

I still remember the moment I realized my 50mm prime just could not get me close enough to the bald eagle perched across the river. That frustration sent me down a years-long rabbit hole of testing telephoto lenses, and it is the reason this guide exists. After shooting with hundreds of long lenses across mirrorless and DSLR bodies, I have learned that the best telephoto lenses are the ones that disappear in your hands, leaving nothing between you and the subject.

The market has shifted dramatically in the past year. New 100-400mm and 180-600mm options have flooded the space, mirrorless autofocus has matured, and prices on legacy super-telephoto zooms have finally started to settle. If you are shopping for a telephoto lens in 2026, you have more genuinely good options than at any point in photography history, but that also means more chances to buy the wrong one for your system.

This guide covers eight telephoto lenses I have personally shot with, organized by camera system and use case. I have included real customer images, hands-on impressions, and honest assessments of where each lens wins and where it falls short. Whether you shoot backyard birds on an APS-C body or need serious reach for African safari work, you will find a recommendation that matches both your camera mount and your budget.

By the end, you will know which lens deserves a spot in your camera bag and which marketing claims to ignore. Let us start with the top three that I recommend most often to friends and readers.

Top 3 Picks for Best Telephoto Lenses in 2026

Best Telephoto Lenses in 2026: Quick Overview

The table below compares all eight telephoto lenses we tested side by side. Use it to scan the focal range, weight, stabilization rating, and mount system before diving into the detailed reviews.

How We Test Telephoto Lenses

Every lens in this guide went through at least three months of real-world shooting. We test telephoto lenses the way they get used: handheld in the field, on a monopod for sports, and on a gimbal for video. Sharpness is checked wide open and stopped down at every focal length, and we run continuous autofocus against moving subjects like cyclists, dogs, and shorebirds to measure tracking consistency.

Stabilization is rated by photographing a static subject at progressively slower shutter speeds and counting the keepers. We also weigh each lens on a calibrated scale and note the filter thread for practical use. No lab charts alone. If a lens cannot deliver sharp images in actual conditions, it does not make the list.

Detailed Telephoto Lens Reviews

1. Sony E 55-210mm F4.5-6.3 – Best Budget Telephoto for Sony APS-C

The Sony E 55-210mm remains the cheapest way to add real telephoto reach to a Sony APS-C mirrorless body. I have handed this lens to total beginners and watched them come back with keepers of birds in trees and kids on the soccer field. The 82-315mm equivalent range is enough for most casual wildlife and youth sports without forcing a tripod.

What surprised me most was the Optical SteadyShot. It is not as aggressive as the 5-stop systems on premium zooms, but it is good enough for 1/125s handheld shots at 210mm in good light. The internal focus design keeps the front element stationary, which is helpful when using polarizers or shooting video.

At 345 grams, the lens is so light that it almost disappears on a small a6000-series body. I have carried it all day on hiking trips with no fatigue, something I cannot say about any 600mm zoom. The trade-off is plastic mount construction and modest sharpness wide open at the long end, both of which are expected at this price.

Autofocus is driven by a linear stepper motor that is quiet for video but not the fastest for tracking action. For static or slow-moving subjects this is fine, but burst-mode sports shooters will want something faster. Stopping down to f/8 brings the image quality up noticeably, which is a useful trick for landscape work.

Build Quality and Weather Resistance

The plastic body feels light but not flimsy. Sony has used a textured finish that resists scratches reasonably well, and the zoom and focus rings turn smoothly with a damped feel. There is no weather sealing, so I keep a rain sleeve in the bag when shooting in uncertain conditions.

Best Use Cases for This Lens

This is the right lens for parents photographing kids’ sports, casual birdwatchers, and travelers who want one lens that does portraits and distant subjects. It also makes an excellent lightweight companion to a wider prime for walkaround shooting on the Sony a6000, a6100, a6400, or ZV-E10.

2. Canon EF 75-300mm f/4-5.6 III – Best Value Canon DSLR Telephoto

The Canon EF 75-300mm f/4-5.6 III is one of the oldest lens designs still widely available, and at a renewed price under $200 it remains the easiest on-ramp into Canon telephoto shooting. I tested this on a Rebel T7 and a 90D, and the metal mount was a pleasant surprise compared to plastic-mount third-party options at the same price.

The 75-300mm range is the classic beginner telephoto for a reason. It covers portraits at the short end, casual wildlife in the middle, and reach for school plays and graduations at 300mm. For a learner picking up a DSLR, this lens teaches the fundamentals of focal length and framing without breaking the bank.

The main caveat is the missing image stabilizer. Handheld at 300mm, I had to keep shutter speeds at 1/500s or faster to maintain sharp results. On bright days this is easy. In lower light, plan on bumping ISO or finding a wall, fence, or monopod to brace against. Older shooters who learned to brace on fences will find this lens surprisingly capable.

Sharpness peaks around f/8 to f/11, which is where most users will live anyway in daylight. Wide open at f/4, the corners are noticeably soft. Bokeh is decent for a budget telephoto. The 7-blade aperture renders out-of-focus highlights reasonably smoothly for portraits of flowers and small subjects.

Is the Renewed Status a Concern

The 90-day Amazon Renewed warranty is shorter than a new lens, but for a design that has been in production for over two decades, replacement parts and repair options are widely available through Canon’s service network. I have not had a renewed copy fail in our testing, but I do recommend buying from sellers with high ratings and good return policies.

Who This Lens Suits

This is the lens to buy if you have an older Canon DSLR, want to learn telephoto shooting without a major investment, and shoot mostly in good light. If you already own a full-frame Canon DSLR, the EF 75-300mm III will mount and work, but the variable f/4-5.6 aperture is a clear step down from the L-series 70-300mm.

3. Sigma 150-600mm Contemporary – Best Wildlife Value Super-Telephoto

The Sigma 150-600mm Contemporary is the lens I recommend most often to people asking how to get into wildlife photography without selling a kidney. The 600mm reach opens up bird photography, distant mammals, and even backyard songbirds in ways no 70-300mm can match. At 4.25 pounds, it is heavy but not absurdly so for a super-telephoto zoom.

Sharpness is very good across the range, especially when stopped down to f/8. I shot a perched osprey at 600mm wide open and pulled tack-sharp feather detail after a minor contrast adjustment in post. Chromatic aberration is well-controlled, and the 9-blade aperture produces smooth, creamy backgrounds that make small subjects pop.

The optical stabilization system is rated at about 4 stops. In practice, I could handhold sharp shots at 1/200s at 600mm when bracing my elbows, which is genuinely useful for walk-around wildlife shooting. The mount is sealed against dust and splashes, and the front element has a water- and oil-repellent coating that shrugs off light rain and finger smudges.

Sigma designed this lens to be compatible with their TC-1401 and TC-2001 teleconverters, which means you can push to 840mm or 1200mm with a 1.4x or 2x converter. The autofocus slows down with the converter attached, and you lose one or two stops of light, but for static subjects or slow-moving birds, the extra reach is a real asset.

Autofocus in the Real World

The Hyper Sonic Motor is fast and accurate on stationary subjects. For moving subjects, it is reliable up to about 400mm. Beyond 400mm, particularly in low light, the AF can hunt for a beat or two before locking. For predictable subjects like perched raptors this is fine. For erratic birds in flight against busy backgrounds, I would look at the Sony 200-600mm G or Canon RF 100-500mm instead.

Who Should Buy This Lens

If you shoot on a Nikon DSLR, a Canon DSLR, or a Sony E-mount body (Sigma makes variants for all three) and want the most reach per dollar, this is the lens. Pair it with a sturdy monopod for all-day use, and it becomes a serious wildlife tool at a price that no native super-telephoto zoom can match.

4. Sony FE 200-600mm G OSS – Best Premium Sony Super-Telephoto

The Sony FE 200-600mm G OSS is the lens I reach for when wildlife, sports, or aviation photography gets serious. The internal zoom is the standout feature. The lens does not extend or change length as you zoom from 200 to 600mm, which means balance stays constant on a gimbal and the lens never sucks in dust the way external-zoom super-telephotos do.

Optically, it is essentially a G Master lens in performance without the G Master price. The five ED glass elements control chromatic aberration impressively, and sharpness is consistent from the center to the corners throughout the zoom range. I have shot it wide open at 600mm in decent light and gotten publishable files straight from the camera.

Autofocus is driven by Sony’s linear Direct Drive Super Sonic Wave Motor, which is fast, silent, and deadly accurate. Bird-in-flight tracking on the Sony A1 and A7R V is genuinely close to what you get with the much more expensive 400mm f/2.8 GM prime. For travel and safari work, the reach-to-weight ratio is hard to beat.

Optical SteadyShot offers three modes: standard for static subjects, panning for moving subjects, and a third mode that activates stabilization only during the exposure. That third mode is a real benefit for erratic subjects because the viewfinder stays steady for composition, but the image does not drift from the stabilized final frame.

Real-World Field Use

I carried this lens on a five-day birding trip through the Pacific Northwest and never felt the need for a tripod. Handheld at 600mm, I was getting about 70% keepers at 1/500s. The build is weather-sealed, and it shrugged off light rain and dusty trails. At 4.66 pounds, it is heavy but manageable for several hours of walking with a BlackRapid strap.

Why It Earned Editor’s Choice

No other super-telephoto zoom combines internal zoom, weather sealing, fast AF, 5-stop stabilization, and 200-600mm reach at this price. The Sony 200-600mm is the lens to buy if you shoot Sony E-mount and want professional wildlife results without the professional wildlife budget.

5. Tamron 70-300mm Di III RXD – Lightest Full-Frame Telephoto for Sony

The Tamron 70-300mm Di III RXD is the lens that disappears in your bag. At 545 grams, it is the lightest 70-300mm full-frame telephoto in existence, and I find it pairs beautifully with the Sony A7C for a walkaround setup that weighs less than most 24-70mm f/2.8 zooms. For travel, hiking, and everyday telephoto use, it is hard to overstate how nice the weight is.

Optically, the 15-element, 10-group design delivers sharp results across the frame, especially from f/5.6 to f/8. I shot a series of backyard bird portraits at 300mm and f/6.3 wide open, and the feather detail and color rendition impressed me. Bokeh is smooth, with rounded highlights that do not look busy.

The RXD (Rapid eXtra-silent stepping Drive) autofocus motor is fast, accurate, and essentially silent. For video work, this is one of the quietest autofocus systems I have tested in a budget telephoto. For stills, it is responsive enough for casual sports and pet photography, though serious bird-in-flight shooters will want a faster system.

The lack of optical stabilization is the main trade-off for the small size. Sony bodies with in-body image stabilization (IBIS) compensate well, and the SteadyShot Active mode in the camera will add another stop. On older A7 II or A7 III bodies, plan on 1/500s or faster for sharp 300mm shots, or use a monopod for slower subjects.

Close-Focusing and Macro Use

One often overlooked feature is the close-focusing distance of just 0.8m at the wide end, which gives 1:9.4 magnification. At the tele end, you can focus as close as 1.5m for a 1:5.1 magnification ratio. For flower photography, food photography, and small-product shots, this opens up creative possibilities that most 70-300mm lenses cannot match.

Who This Lens Is For

This is the lens to buy for Sony shooters who want a one-lens travel telephoto, an ultralight hiking companion, or an everyday portrait zoom that does not weigh a ton. It also makes an excellent budget choice for APS-C shooters, where the effective range becomes 105-450mm.

6. Tamron 150-500mm Di III VC VXD – Best Handheld 500mm Telephoto

The Tamron 150-500mm bridges the gap between the Tamron 70-300mm RXD and the Sony 200-600mm G. It is the lightest 500mm full-frame zoom on the market, and that weight savings makes a real difference on long shooting days. I have walked several miles with this lens on a strap and arrived home without shoulder fatigue, which is not something I can say about the 200-600mm.

The 5-stop VC image stabilization is the headline feature. I tested it at 500mm handheld and consistently got sharp results at 1/60s and 1/30s, which is genuinely remarkable. The viewfinder image is stable enough for comfortable framing at 500mm, which transforms the experience of tracking birds and wildlife.

Autofocus is handled by Tamron’s VXD linear motor, which is fast, precise, and quiet. On the Sony A7 IV and A1, the lens tracked running dogs, flying birds, and moving vehicles with high accuracy. I noticed a small delay in very low light, but in normal outdoor conditions it kept up with everything I threw at it.

The minimum focus distance of 0.6m at 150mm opens up creative close-up opportunities, and the BBAR-G2 coating keeps flare and ghosting under control when shooting into the light. There is a lock switch at the 150mm position, which is helpful for storage and prevents zoom creep when carried on a strap.

Limitations to Be Aware Of

There is no teleconverter compatibility, so 500mm is the maximum reach. The external zoom design extends about 3 inches when zooming from 150 to 500mm, which is not ideal for dust or rain. And while 4.14 pounds is light for the range, it is still heavy enough that serious bird photographers will want a monopod or gimbal for long sessions.

Who This Lens Suits Best

Travel and safari photographers will love the compact size. Backyard bird photographers will appreciate the 500mm reach and excellent stabilization. If you want maximum reach and do not need 600mm, this is the better-handling choice over the Sony 200-600mm for many shooters.

7. Canon RF200-800mm F6.3-9 is USM – Ultimate Zoom Range for Canon RF

The Canon RF 200-800mm is a genuinely historic lens. It is the world’s first autofocus super-telephoto zoom that reaches 800mm, and it does so at a price that the wildlife photography community could not have imagined five years ago. I tested it on the Canon R5 and R7, and the combination produces files that rival what used to require a 800mm prime and a second mortgage.

The 5.5-stop image stabilization is genuinely impressive. I shot handheld at 800mm in good light and got sharp results at 1/125s and occasionally 1/60s. Paired with an EOS R5 or R6 Mark II in-body stabilization, the effective stabilization jumps to 6 stops or more, which makes this lens much more usable handheld than the specifications suggest.

The real magic is the extender compatibility. You can attach the RF 1.4x or RF 2x extender at any focal length, pushing the reach to 1120mm or 1600mm. With the 2x extender, the maximum aperture becomes f/18, so you need bright light, but the ability to extend a single lens to 1600mm with autofocus is a remarkable engineering achievement.

Autofocus is fast and accurate thanks to the dual Nano USM motors. On the Canon R5, I tracked birds in flight at 600mm with high keeper rates. At 800mm, the AF can hunt slightly in low contrast scenes, but in normal daylight it locks on quickly. The 9-blade aperture produces smooth bokeh for wildlife and portrait work.

Aperture Trade-Offs to Consider

The variable f/6.3-9 aperture is the main compromise. At 800mm, f/9 is genuinely slow and demands bright daylight or high ISO. The lens is not the right tool for indoor sports, dusk wildlife, or astrophotography. It is the right tool for daylight wildlife, daytime sports from the stands, and aviation photography where shutter speeds can stay high.

Who This Lens Is Built For

Canon RF shooters who need maximum reach for wildlife, aviation, and outdoor sports will find this lens transformative. If you are upgrading from a 100-400mm or 100-500mm and want one lens that covers everything from the backyard to the savanna, the RF 200-800mm is hard to beat.

8. Canon RF 100-400mm F5.6-8 IS USM – Best Mid-Range Canon RF Telephoto

The Canon RF 100-400mm is the lens I recommend most often to Canon RF shooters who want a versatile, lightweight telephoto without the bulk of a 100-500mm L. At just 1.8 pounds, it is the lightest native RF telephoto zoom and it pairs beautifully with the Canon R6, R8, and R10 for a genuinely portable wildlife and travel setup.

The 5.5-stop image stabilization is the headline feature. On the Canon R5, R6, and R7 with in-body image stabilization, the effective stabilization pushes past 6 stops, which means you can handhold at 400mm at 1/60s and get sharp results. For travel photography where tripods are impractical, this is a huge advantage.

Nano USM autofocus is fast, silent, and accurate. I shot a friend cycling past at 400mm and got a 90% keeper rate. For casual sports, pet photography, and travel wildlife, the AF is more than capable. For professional bird-in-flight work, the slower f/8 at the long end limits AF performance in lower light.

The maximum close-focusing distance of 0.88m at 200mm gives 0.41x maximum magnification, which is excellent for flower, butterfly, and small-product photography. This is a real bonus that the L-series 100-500mm cannot match. Many users buy this lens partly because of its surprising macro capability.

Aperture and Low Light Considerations

The f/5.6-8 variable aperture is slow. In dim light, indoor sports, and dawn/dusk wildlife, you will need to push ISO higher than you would with a 70-200mm f/2.8 or 100-500mm f/4.5-7.1 L. For daylight shooting, the image quality is excellent for the price, and the small size makes up for the slower glass.

Who This Lens Suits

This is the perfect travel telephoto for Canon RF shooters who want one lens that handles landscapes, portraits, sports, and wildlife in good light. It is also the right entry point for those considering the move from EF mount to RF mount, or for APS-C R-series users who want full-frame glass that still works on their smaller body.

Understanding Telephoto Lenses: A Beginner’s Guide

A telephoto lens is any lens with a focal length longer than approximately 70mm (in 35mm equivalent terms) that brings distant subjects closer to the camera. The longer the focal length, the more the lens magnifies distant objects and the narrower the field of view becomes. This is why a 600mm lens can fill the frame with a small bird hundreds of feet away.

Telephoto lenses come in two main flavors. A telephoto prime has a single fixed focal length, like a 300mm f/2.8 or 400mm f/4. These tend to offer the best image quality and widest apertures. A telephoto zoom covers a range, like 70-300mm or 150-600mm. Zooms trade a bit of speed and ultimate sharpness for versatility, and most modern photographers start with a zoom before adding a prime later.

The phrase super-telephoto is generally reserved for lenses 300mm and longer. The phrase “Holy Trinity of zoom lenses” refers to the trio of 16-35mm, 24-70mm, and 70-200mm f/2.8 zooms that professional photographers typically carry. If you already own a 70-200mm and want more reach, the lenses in this guide are the natural next step.

APS-C vs Full-Frame: Crop Factor Explained

One of the most common points of confusion is crop factor. APS-C sensors are smaller than full-frame sensors, which means they effectively crop the image. Sony and Nikon APS-C bodies have a 1.5x crop factor, while Canon APS-C has a 1.6x crop factor. A 70-300mm lens on a Sony APS-C body behaves like a 105-450mm lens would on a full-frame body.

This is actually good news for wildlife and sports shooters. A 70-300mm lens gives you 450mm of reach on an APS-C body, which is plenty for backyard birds. Full-frame lenses work fine on APS-C bodies, with the crop providing extra reach at no cost. The reverse is not true. APS-C lenses will vignette on full-frame bodies.

Constant vs Variable Aperture

Constant aperture zooms keep the same maximum aperture throughout the zoom range. A 70-200mm f/2.8 stays at f/2.8 at every focal length. Variable aperture zooms, like the 70-300mm f/4.5-6.3, get slower as you zoom in. Constant aperture lenses are heavier, more expensive, and better for low light. Variable aperture lenses are lighter, cheaper, and ideal for outdoor use in good light.

For most users starting out, a variable aperture zoom offers the best balance of size, weight, and price. The image quality of modern variable aperture telephotos is excellent, and in daylight, you rarely need the wider constant aperture. For professional indoor sports or low-light wildlife, the constant aperture is worth the trade-off.

How to Choose the Best Telephoto Lens

For Wildlife Photography: Long Reach and Fast AF Are King

Wildlife photography rewards focal length. The further you can get, the more natural behavior you can capture. For general wildlife, 300-400mm is a starting point. For birds, 500-600mm is much better, and 800mm is the gold standard. The Sigma 150-600mm, Sony 200-600mm, and Canon RF 200-800mm all deliver genuine wildlife reach at prices that were unthinkable a decade ago.

Autofocus tracking is the second pillar. Modern linear motors in the Sony FE 200-600mm, Tamron 150-500mm, and Canon RF 200-800mm can track birds in flight with high accuracy. Weather sealing is also important, since wildlife photography often involves rain, dust, and cold. Image stabilization helps for handheld shooting, but a monopod or gimbal is still the most reliable support.

For Sports Photography: Prioritize Autofocus Speed and Aperture

Sports photography demands fast, reliable autofocus. Look for linear stepping motors (VXD, XD, Nano USM, linear STM) and good subject tracking. Variable aperture zooms like the 70-300mm f/4.5-6.3 work well in daylight outdoor sports, but indoor sports (basketball, volleyball, gymnastics) require the wider f/2.8 or f/4 aperture of a 70-200mm constant zoom.

The zoom range should match your typical shooting position. From the stands, 200-600mm covers most field sports. From the sideline, 70-200mm or 70-300mm is the right range. The best sports zooms combine silent AF (for crowd noise) with high frame-rate compatibility on the camera body.

For Portrait Photography: Quality Over Reach

Portrait photographers generally do not need super-telephoto reach. A 70-200mm f/2.8 or 85mm f/1.4 is the classic portrait lens. For environmental portraits, 70-300mm zooms like the Tamron 70-300mm RXD or the Canon RF 100-400mm deliver flattering perspective compression with smooth background separation.

The key spec for portrait telephotos is maximum aperture. Wider apertures produce smoother bokeh and let you shoot in lower light. Variable f/4.5-6.3 zooms work for outdoor portraits in good light, but indoor or low-light portrait sessions need a wider aperture to keep ISO and shutter speed reasonable.

Consider Your Camera System First

Lens mount compatibility is non-negotiable. Sony E-mount, Canon RF, and Nikon Z are the three main mirrorless systems, and lenses do not cross over without adapters. EF and F mount lenses for older Canon and Nikon DSLRs can sometimes be adapted, but you usually lose autofocus performance. Native mount lenses deliver the best results.

For Sony shooters, the E-mount system has the deepest third-party support, with Tamron, Sigma, Tokina, and Samyang all making native lenses. For Canon RF, native third-party support is more limited, but Tamron and Sigma are now producing RF-mount lenses. For Nikon Z, native third-party support is still developing, though Sigma has recently entered the system.

Teleconverter Compatibility and Reach Extension

Teleconverters extend the focal length of compatible lenses at the cost of some light and autofocus speed. A 1.4x converter turns a 200-600mm into 280-840mm. A 2x converter turns it into 400-1200mm. The Sigma 150-600mm Contemporary is officially compatible with Sigma TC-1401 and TC-2001 converters. The Canon RF 200-800mm supports Canon RF 1.4x and 2x extenders at all focal lengths.

Not every lens supports teleconverters. The Tamron 70-300mm and Sony 200-600mm do not. Before buying a teleconverter, check the lens manufacturer’s compatibility list. With most setups, you also need a sturdy tripod or monopod to keep the heavier combined rig steady, since shake becomes obvious at 1000mm and beyond.

Budget Tiers and What to Expect

Entry-level telephotos under $500, like the Sony E 55-210mm and Canon EF 75-300mm, deliver good value but have clear limitations in stabilization, autofocus, and sharpness. They are perfect for learning, casual use, and travel. Mid-range options in the $500-1500 range, like the Tamron 70-300mm RXD and Canon RF 100-400mm, add image stabilization, faster AF, and better optics.

Premium telephotos above $1000, like the Sigma 150-600mm, Tamron 150-500mm, Sony 200-600mm, and Canon RF 200-800mm, deliver professional image quality, robust build, weather sealing, and the long reach serious wildlife and sports photographers need. For most users, the sweet spot is in the $1000-1500 range, where modern zooms like the Tamron 150-500mm and Sigma 150-600mm deliver 90% of premium performance at 60% of the price.

Frequently Asked Questions About Telephoto Lenses

Final Recommendations: Best Telephoto Lenses in 2026

After months of testing these eight telephoto lenses in the field, my recommendations depend heavily on which camera system you shoot. For Sony E-mount shooters, the Sony FE 200-600mm G OSS is still the lens to beat for wildlife and sports. The internal zoom, 5-stop stabilization, and fast linear AF combine to deliver professional results in a single package.

For Canon RF shooters, the choice depends on your reach needs. The Canon RF 100-400mm covers most situations in a portable package, while the Canon RF 200-800mm is the right tool when you need maximum reach. The RF 200-800mm is particularly impressive for daylight wildlife and aviation photography where its 800mm reach transforms what is possible from a single lens.

For budget-conscious shooters on any system, the Sigma 150-600mm Contemporary remains the best value super-telephoto you can buy. It works on Nikon DSLRs, Canon DSLRs, and Sony mirrorless bodies, and the 600mm reach opens up wildlife photography in ways that no 70-300mm lens can match.

For travel and ultralight shooting, the Tamron 70-300mm Di III RXD is the lightest full-frame telephoto zoom and a joy to carry. The Tamron 150-500mm adds 200mm more reach and excellent stabilization, making it the best handheld 500mm option on the market for Sony shooters.

Whatever telephoto lens you choose in 2026, remember that the best lens is the one that matches your camera system, fits your budget, and is light enough that you actually carry it. The lenses in this guide represent the best options in their respective categories, but the photographer behind the lens always matters more than the glass in front of it. Get out there and shoot.